REVIEW OF SWOLE BY MICHAEL ANDOR BRODEUR
SWOLE by Michael Andor Brodeur is a witty, insightful exploration of gym culture and body obsession in the modern age. Brodeur mixes humor and critique to unpack the pursuit of physical perfection and its impact on masculinity.
Michael Andor Brodeur, a critic at The Washington Post, delivers a truly groundbreaking debut with “Swole: The Making of Men and the Meaning of Muscle.” I know what you’re thinking, in what universe is a book using the slang word “swole” possibly groundbreaking. You might also be wondering, ugh is this more mythopoetic ‘mens work’ ala Robert Bly? I promise you, “Swole” is a lot of things, but “Iron John” it is not. In fact it’s quite the opposite, which makes it as refreshing as it is critical in today’s time.
Brodeur’s unique work explores the history of the gym, delves into the politics of superheroes, and more importantly- examines how men have been impacted by media and culture.
I love this book. Imagine that ‘The Adonis Complex’ and ‘Stiffed’ both seminal studies in masculinity had a love child- that child would be this book. Sharp, relatable, and accessible, this social commentary examines how body image and identity shape us, dissecting the phenomena of “manfluencers” and “mythculinity.”
Brodeur offers a powerful critique of the ways in which societal standards create male identity and physical image, beginning with the ideals of ancient Greece and Rome and continuing up to the hyper-masculine social media influencers of today for example. By exposing the immense pressure that is placed on males to conform to idealized body ideals, he reveals substantial psychological and physical effects that are associated with this pressure.
Through 12 sections, Brodeur offers an intimate memoir, sharing his own insecurities, transformations, and how American culture — from He-Man to present-day — shaped his relationship with his body. The book also examines the impact of these cultural narratives on the LGBTQ+ community, particularly gay men, who have historically been both participants in and critics of mainstream masculinity.
This dual perspective, enriched by personal anecdotes and broader cultural analysis alongside Brodeur’s reflection on the gay men’s movement underscores the need for inclusivity in discussions about masculinity.
“Swole: The Making of Men and the Meaning of Muscle” is a must-read for anyone interested in understanding the intricate dynamics of gender, identity, and body image in contemporary society.
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